Name: Redwood on Broadway
Start: 2025-01-24
Location: Nederlander Theatre

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Redwood on Broadway - NYC [41270]

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Born on May 30, 1971&nbsp;in New York City, Idina Menzel is one of the most recognizable Broadway actresses of her generation, having originated roles in <a href="/show/rent">Rent </a>and <a href="/show/wicked">Wicked</a>. In 2021, she appeared as part of the Rent 25th anniversary gala held by New York Theatre Workshop.&nbsp;

Growing up in New York, Menzel was introduced to Broadway from an early age. As a teenager, she would sing at events, continuing this while studying at NYU’s Tisch School of the Arts. Graduating with a bachelor of fine arts degree in drama, Menzel then began auditioning for productions — Rent was her professional debut. After being involved in workshop productions for&nbsp;Rent&nbsp;at <a href="/theatres/new-york-theatre-workshop">New York Theatre Workshop</a>, Menzel eventually made her Broadway debut with the show in 1996, originating the role of Maureen at the <a href="/theatres/nederlander-theatre">Nederlander Theatre</a>. For her performance, she was nominated for Best Featured Actress in a Musical at the 1996 Tony Awards and continued&nbsp;in the role for over a year. Menzel was then cast as Kate in The Wild Party and later took over the role of Amneris in <a href="https://www.newyorktheatreguide.com/reviews/aida">Aida</a>.

2003 was a life-changing year for Menzel, as she originated the role of Elphaba in Wicked at the <a href="/theatres/gershwin-theatre">Gershwin Theatre</a>. Starring alongside <a href="/actor-profile/kristin-chenoweth">Kristin Chenoweth</a> as Glinda, she eventually won her first Tony Award, but missed out on her final scheduled performance after cracking a rib. Nonetheless, audiences can hear Menzel in the original Wicked Broadway cast recording.

When Wicked transferred to London’s Apollo Victoria Theatre in 2006, Menzel went with the show. Reprising her performance as Elphaba for three months, her Wicked return also marked her West End debut, subsequently followed by an appearance&nbsp;in a Chess concert at the Royal Albert Hall.

In 2014, Menzel&nbsp;returned to Broadway, starring alongside Rent cast member Anthony Rapp in <a href="https://www.newyorktheatreguide.com/reviews/ifthen">If/Then</a> at the <a href="/theatres/richard-rodgers-theatre">Richard Rodgers Theatre</a>. She played Elizabeth for the musical’s entire Broadway run, later reprising the role on a national tour. More recently, she&nbsp;starred in <a href="/show/skintight">Skintight </a>at the <a href="/theatres/harold-and-miriam-steinberg-center-for-theatre">Laura Pels Theatre</a>&nbsp;in 2018.

Aside from Broadway, Menzel is perhaps best known for providing the voice of Elsa in Disney’s Frozen&nbsp;and Frozen II. She has also played Nancy&nbsp;in the movie musical Enchanted&nbsp;and the 2022 sequel Disenchanted; Vivian, Cinderella's stepmother, in the 2021 movie musical adaptation of Cinderella;&nbsp;and Dinah Ratner in Uncut Gems. She can also be seen in Glee playing Shelby Corcoran.

Idina Menzel - NY

Ages 8+. Children under 5 will not be admitted.

Wicked on Broadway - NYC [1]

Wicked on Broadway

Wicked on Broadway [1] Product Media

There have been moments in the history of musical theater when, like a twister, the sheer talent and whirling spectacle of a production have flattened any negative criticism that stood to get in its way. Take October, 2003 for example. That was the month that <a href="/show/wicked">Wicked </a>opened in New York to generally dour reviews. But since then, more than 8.8 million people have found the heart, nerve and wisdom to pay a visit, resulting in the happy scene of a Broadway house filled with as many teens as adults, and making a tale, born from a 115-year-old children's novel, one of the top five highest grossing shows of all time.The latest incarnation of this impeccably oiled entertainment machine finds a new gear courtesy of a British import. Reprising the role she played on the West End for three years, Rachel Tucker steps in as the green-skinned Elphaba, a.k.a. the Wicked Witch of the West, and nearly blows the roof off the massive Gershwin Theatre with her opening number, "The Wizard and I." As the song reaches its climax, Tucker raises her arms, not especially high, but in a crooked witchly fashion, showing off the kind of smart physicality she brings throughout the evening. Opposite her, as Glinda the Good, Kara Lindsay aces the delicate assignment of being both ditzy blonde and sensitive friend while showing off her clear soprano and great comic chops.Among the show's many happy surprises, Michele Lee turns up, in fine form, as the scheming Madame Morrible, and Arielle Jacobs charms us from a wheelchair as Nessarose, until that unfortunate incident with a falling house. James Lynn Abbott's best moment of choreography comes not from any of the numerous, raucous ensemble pieces, but from a beautifully rendered bit of quiet ballet that arrives unexpectedly during the energetic "Dancing Through Life." And Stephen Schwartz's classic score provides a wonderful playground for the cast to swing upon, while reminding us of this composer's important history. Close your eyes and hear strains of Pippin in "As Long as You're Mine." Find the hint of Godspell playfulness in the staccato beats of "What is this Feeling."The Wikipedia plot summary for Wicked is over 2100 words long, which speaks not only to the show's dedicated fan base, but to the fact that this is a musical with a lot going on. It's a romantic comedy with strong political undertones, an animal rights treatise with a talking goat and flying monkeys, a parable on the pitfalls of getting what you want, a warning on the limits of friendship, and an homage to a classic film. In the realm of mythology, green-hued creatures have never had a simple time of it (see Shrek, Hulk, et al.), and rare is the story, let alone the musical, that is centered on two women who are unrelated, yet have a complex emotional attachment, while still remaining starkly unique individuals. But Eugene Lee's epic scenic design provides the framework to tie everything together. The show is completely set within the machinations of a huge clock, the Clock of the Time Dragon to be precise. And whether or not you are up on your Oz lore, this seems, at first, incongruous with the magical proceedings on stage. Why is Glinda's bubble-mobile so pendulum like? But then the metaphor becomes clearer. "I would do anything to turn back the clock," laments Elphaba, and later she demands, "Wait just a clock tick!" Once a spell is cast, it cannot be undone. Life moves forward, and Wicked reveals itself to be, more than anything else, a cautionary tale about learning to live with one's choices.(Photo by Joan Marcus)<hr />"'Wicked' does not, alas, speak hopefully for the future of the Broadway musical." Ben Brantley for New York Times"It's such a 'Wicked' waste of talent." Howard Kissel for New York Daily News"The most complete, and completely satisfying, new musical I've come across in a long time." Elysa Gardner for USA Today"Overproduced, overblown, confusingly dark and laboriously ambitious jumble." Linda Winer for Newsday"Far too arch and sophisticated for children...lacks... sophistication and wit that would make it palatable for adults." Frank Scheck for Hollywood Reporter"The best thing about 'Wicked' is its stars, whose talents cast a powerful spell." Roma Torre for NY1"Lavish, ambitious and problematic." Michael Kuchwara for Associated Press<a href="http://www.nytimes.com/2003/10/31/arts/theater/31WICK.html" target="Top">New York Times</a> - <a href="http://www.usatoday.com/life/theater/2003-10-30-wicked_x.htm" target="Top">USA Today</a> - <a href="http://www.ny1.com/ny/Living/SubTopic/index.html?topicintid=4&amp;subtopicintid=14&amp;contentintid=34381" target="Top">NY1</a>

'Wicked' review

The Gershwin Theatre is a breathtakingly stunning Broadway theater located in the heart of New York City. Named in honor of renowned composer George Gershwin and his brother lyricist Ira Gershwin, it was opened in 1972 and currently remains the largest Broadway theater with a capacity of around 1933 seats. Designed by set designer Ralph Alswang, the architectural aesthetics of the theater are a delightful blend of Art Nouveau and Art Deco styles. Over the years, it has hosted some of the most iconic and award-winning Broadway shows including 'Show Boat', 'Sweeney Todd', and its longest running show, the 'Wicked' that has been playing since 2003. The interior is beautifully adorned with ornate details and offers modern technological features promising a remarkable theatrical experience. In addition to its captivating beauty and grandeur, the theater is also known for exceptional acoustics which enhances the enjoyment of each performance. 

**How to get to the venue**

The Gershwin Theatre is readily accessible by public transport with the closest subway stations being 50th Street on the 1 line and 50th Street on the C and E lines. Several bus lines also serve the area. If you prefer to drive, there are multiple paid parking lots in proximity to the theater. It is situated at 222 W. 51st St., perfectly positioned between Broadway and 8th Ave.

Gershwin Theatre - NY

Gershwin Theatre

The Gershwin Theatre, the largest Broadway venue, in New York City is known for its stunning aesthetics, exceptional acoustics, and iconic performances.

The Nederlander Theatre is one of the most iconic performing arts venues in New York City. As an intrinsic part of Broadway, this historic theater first opened its doors in 1921 and ever since then, it has been the stage for numerous successful Broadway shows and legendary musicals. In its early years, it was known as The National Theatre, where it hosted renowned productions such as Showboat, which revived the Golden Age of musical theatre. In 1980, the name of the theatre was changed to the Nederlander in honor of theatre owner David Nederlander. Since then, it hit new highs, staging several hit musicals including 'Rent,' which ran for a phenomenal 12 years. 

**How to get there**: The Nederlander Theatre is located at 208 W 41st St, New York, NY 10036. You can easily reach the venue via public transportation. If you're taking the subway, you can take the A, C, E to 42nd Street, exit at 41st Street, then walk a bit to the west. Alternatively, the 1, 2, 3, 7, N, R, Q, W, S trains all stop at Times Square 42nd Street.

Nederlander Theatre - NY

Nederlander Theatre

The Nederlander Theatre is a historic Broadway venue in NYC, famous for countless hit shows. It's accessible via multiple subway lines.

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Built by Walter C. Jordan, the Nederlander Theatre building was originally constructed as a carpenter's shop in 1920 and was converted into a theatre the following year. The venue officially opened as the National Theatre on September 1, 1921. Ownership of the theatre has changed hands several times over the years — the Shubert Organization originally owned the building until 1956, and Harry Fomkes and Billy Rose (who renamed the theatre after himself) took over in 1959.

The Nederlander Organization purchased the property in 1979 and briefly renamed it the Trafalgar Theatre, until it was renamed after the organization's founder, David T. Nederlander, in 1980.

The Nederlander Theatre, located on 41st Street, is the southernmost Broadway house.

## How to get to the Nederlander Theatre on Broadway

The closest subway stop to the Nederlander Theatre is 42nd Street - Times Square on the 1, 2, 3, 7, N, Q, R, W, and S lines. The closest bus stops are 7th Av/W 41st St. on the M7, M20, or M104 lines and 7th Av/W 42nd St. on the M42, SIM8, SIM8X, SIM22, SIM25, SIM26, and SIM30 lines.

Nederlander Theatre - New York Theatre Guide

The Nederlander Theatre, initially a carpenter's shop, opened as a theatre in 1921. Ownership changed multiple times and it's now named after David T. Nederlander. Closest subway stop is 42nd Street - Times Square.

Nederlander Theatre - TodayTix

Nederlander Theatre Seating Plan - NYC - 1036 x1306 px

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