Name: Hell's Kitchen on Broadway
Start: 2024-03-28
Location: Shubert Theatre

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Hell's Kitchen on Broadway - NYC [37579]

NYC Hell's Kitchen on Broadway New Prod 2 4/21/24

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Hell's Kitchen on Broadway

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Hell's Kitchen: The Hit Broadway Musical from Alicia Keys

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Production shot of Hell's Kitchen on Broadway in New York, with Jessica Vosk as Jersey and Maleah Joi Moon.

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A group of dancers performs energetically on a brightly lit stage with a graffiti backdrop; one person at center holds a silver box.

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Production shot of Hell's Kitchen on Broadway in New York, with Kecia Lewis as Miss Liza Jane.

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Performers dance energetically on a brightly lit stage, with cityscape visuals in the background and musicians playing on elevated platforms.

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Kecia Lewis stars as Miss Liza Jane in [*Hell's Kitchen*](https://www.newyorktheatreguide.com/show/37579-hells-kitchen-broadway) on Broadway at the [Shubert Theatre](https://www.newyorktheatreguide.com/theatres/shubert-theatre).

Lewis's 40-plus-year Broadway career spans 10 productions. Since making her debut in the original cast of *Dreamgirls*, she has appeared in shows including *Chicago*, *Children of a Lesser God*, *Once on This Island*, and *Ain't Misbehavin'*. She won a Tony Award for her performance in *Hell's Kitchen*.

Kecia Lewis - NY

Ages 13+. Children under 4 are not permitted.

Chicago on Broadway - NYC [22]

Chicago on Broadway

NYC Chicago on Broadway [22]  Product Media

20 years old and she’s still got it, folks!

With the 20th anniversary of [*Chicago*](https://www.newyorktheatreguide.com/show/22-chicago-tickets) speedily approaching, I took a trip to Broadway’s [Ambassador Theatre](https://www.newyorktheatreguide.com/theatres/ambassador-theatre) to witness that timeless story of murder, greed, corruption, violence, exploitation, adultery and treachery… and rest assured, I still hold it near and dear to my heart!

*Chicago* is the second longest-running show in Broadway history, behind Andrew Lloyd Webber’s infamous [*Phantom*](https://www.newyorktheatreguide.com/show/38-the-phantom-of-the-opera-tickets), and still holds the record of being the longest-running musical revival and longest-running American musical on the Great White Way. So how has this iconic musical managed to outlast its competitors in the increasingly crowded and competitive market place that is Broadway?

One word can sum it all up, really… “Class”… which just so happens to be the title of one of the more reflective numbers in the show. As Velma and Mama Morton were serenading us, asking whatever happened to class, I couldn’t help but think that this production has it in abundance. *Chicago* proves that you don’t need to bombard your audience with a number of lavish sets or elaborate costume changes to put together a winning musical. All you need is a live band on stage, intoxicating the auditorium with that jazz-infused score from the genius that is John Kander and Fred Ebb and sprinkle it with that Bob Fosse-style choreography, and before you know it, you’ve razzle dazzled ‘em! Those tight-fitting, all-black (and often transparent) costumes by William Ivey Long enhance the show’s sensuality with equal measures of male and female exposure and have themselves become as recognisable as the show’s glittering red logo.

You forget how ground-breaking this revival must have been, when it officially opened on Broadway on 14th November 1996. Moments of breaking the fourth wall to introduce the musical numbers and having the conductor of the band interact with the actors on stage, still set *Chicago* apart from its predecessors, and who wouldn’t want to call for their “Exit Music” each time they left the room?

*Chicago* is equally as famous for its revolving casting door, which has seen both Broadway veterans and celebrities from the world of music, TV and film take to the stage and sink their teeth into those coveted principal roles for special limited engagements. Some of the company’s principals have been with the show for quite some time and continue to delight with every performance. NaTasha Yvette Williams’ brassy and sultry Mama Morton, Raymond Bokhour’s ever-loveable Amos and R. Lowe’s skilled, gender-bending performance as Mary Sunshine are always crowd-pleasing and essential parts of the production, offering the degree of stability that takes it smoothly through its many cast changes. Although some would argue that Chicago has been reduced to a star vehicle for celebrities wishing to dip their toes into the world of Broadway, I see it as a living, breathing piece of musical theatre history, which rightfully remains at the Ambassador Theatre and reminds us that all you need is class and, of course, all that jazz!

*(Photo by Jeremy Daniel)*

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"As much tribute as revival, the spirit of Fosse's genius never leaves the stage, and Chicago, under Walter Bobbie's sharp direction, will dazzle newcomers to the trademark Fosse dance style and provide a thrilling reminder to those who've seen it before just how smart, sexy and exciting this brand of choreography was, or rather, is."
*Greg Evans for Variety*

"Chicago is a triumph! It doesn't just give us the old razzle-dazzle; it glows."
*Richard Zoglin for Time Magazine*

"Chicago still glitters hypnotically! It remains the best adult entertainment in town and still bubbles with the joy of performing!"
*Ben Brantley for New York Times (2007)*

"The show seems to have discovered the fountain of youth. As entertaining as ever. Brash, buoyant and utterly irresistible!"
*Michael Kuchwara for The Associated Press (2003)*

'Chicago' review

Read our 20th anniversary review of *Chicago* on Broadway at the Ambassador Theatre.

The Ambassador Theatre is a quintessential landmark venue situated in the heart of Times Square in New York City. The theatre, built in a unique diagonal orientation to fit within a corner property, opened in 1921 and has since been a stoić stalwart in the midst of the bustling city life. The beautifully ornated structure with its grand interiors and elegant façade captures the essence of old New York charm. With a seating capacity of 1125, the theatre provides an intimate and immersive theatrical experience. Ambassador Theatre has been the venue for numerous historically and culturally significant productions, including 'Chicago,' not only gaining it popularity but also cementing its position as a paragon in the New York theatre scene.

## How to get to the Venue
The Ambassador Theatre is easily accessible by public transport. The closest subway stations are 49th Street (N, R, and W lines), and 50th Street (1 and 2 lines). An alternate option is to take the C or E line to 50th Street. The theatre is also reachable by several bus lines such as M7, M20, M50, or M104. For attendees driving, numerous public parking spaces are available in and around Times Square.

Ambassador Theatre - NY

Ambassador Theatre

The Ambassador Theatre, an iconic venue in Times Square, New York, is known for its unique architecture and historic productions.

Children of a Lesser God [8661]

Children of a Lesser God

Children of a Lesser God [8661] Product Media

The **Studio 54 theatre** in New York is legendary in its status as America's most famous nightclub from history. In the '70s, the venue was a beacon for A-list celebrities, artists, and musicians to gather under its mesmerising disco ball. Today, as part of the Roundabout Theatre Company, **Studio 54** is a home to captivating theatrical performances. The theatre, located on 254 W 54th Street, maintains its historical charm with the restored auditorium that evokes an intense feel for the remarkable history it's borne witness to. The theatre has a seating capacity of 1006 and has been the stage for numerous notable productions such as 'Cabaret', 'Sunday in the Park with George', and 'Kiss Me, Kate'. The elegance from its original 1927 construction blends seamlessly with its more modern renovations, helping keep Studio 54 an iconic and desired destination in the Big Apple. 

 **How to get to the venue** 

 Getting to Studio 54 is quite straightforward. Located in Manhattan, it's easily accessible by subway. The closest station is 7 Avenue, which is just a short two-minute walk from the theatre. For those preferring a taxi ride or self-drive, there are several parking garages nearby like the 'Icon Parking' on 851 8th Ave or the 'SP+' on 1700 Broadway.

Studio 54 - NY

Studio 54

Studio 54 theatre in New York, known for its past as a celebrity club, is now a popular venue for theatrical performances.

The Shubert Theatre is a historic Broadway venue located in New York City's theater district. Originally opening its doors in 1913, it has solidly anchored its place in history, hosting major productions like A Chorus Line and Hello, Dolly! With a seating capacity of 1460, this gem of a theatre is designed in the style of the Italian Renaissance, featuring a blue-domed ceiling adorned with a galaxy of twinkling stars. The Shubert Theatre's architecture sets a magical environment for hosting ground-breaking musicals and dramatic performances. It maintains an intimate atmosphere despite its ample size, allowing every patron an immersive experience. 

## How to get to Shubert Theatre
Located at 225 West 44th Street, between 7th and 8th Avenue, the theatre is easily accessible. If commuting by subway, you can take the 1, 2, 3, 7, N, Q, R, W, S or shuttle to Times Square station, or the A, C, or E to Port Authority. Additionally, the M104, M42, M6, M7, and M10 buses stop near the Shubert Theatre. It's recommended to plan for potential delays as the area can get crowded during showtimes.

Shubert Theatre - NY

Shubert Theatre

The Shubert Theatre, a historic Broadway venue, features groundbreaking performances. It is easily accessible via Times Square and Port Authority subway stations.

Jessica Vosk stars as Jersey in [*Hell's Kitchen*](https://www.newyorktheatreguide.com/show/37579-hells-kitchen-broadway) on Broadway at the [Shubert Theatre](https://www.newyorktheatreguide.com/theatres/shubert-theatre).

Vosk is best known for her Broadway-debut performance as Elphaba in [*Wicked*](https://www.newyorktheatreguide.com/show/1-wicked-musical-tickets). She has since performed in *The Bridges of Madison County*, *Fiddler on the Roof*, *Finding Neverland*, and more shows on Broadway, plus *Death Takes a Holiday* and Sarah Silverman's *The Bedwetter* off Broadway.

She also voiced the character of Lute on *Hazbin Hotel*, an animated musical series on Amazon Prime Video.

Jessica Vosk - NY

Ages 8+. Children under 5 will not be admitted.

Wicked on Broadway - NYC [1]

Wicked on Broadway

Wicked on Broadway [1] Product Media

There have been moments in the history of musical theater when, like a twister, the sheer talent and whirling spectacle of a production have flattened any negative criticism that stood to get in its way. Take October, 2003 for example. That was the month that <a href="/show/wicked">Wicked </a>opened in New York to generally dour reviews. But since then, more than 8.8 million people have found the heart, nerve and wisdom to pay a visit, resulting in the happy scene of a Broadway house filled with as many teens as adults, and making a tale, born from a 115-year-old children's novel, one of the top five highest grossing shows of all time.The latest incarnation of this impeccably oiled entertainment machine finds a new gear courtesy of a British import. Reprising the role she played on the West End for three years, Rachel Tucker steps in as the green-skinned Elphaba, a.k.a. the Wicked Witch of the West, and nearly blows the roof off the massive Gershwin Theatre with her opening number, "The Wizard and I." As the song reaches its climax, Tucker raises her arms, not especially high, but in a crooked witchly fashion, showing off the kind of smart physicality she brings throughout the evening. Opposite her, as Glinda the Good, Kara Lindsay aces the delicate assignment of being both ditzy blonde and sensitive friend while showing off her clear soprano and great comic chops.Among the show's many happy surprises, Michele Lee turns up, in fine form, as the scheming Madame Morrible, and Arielle Jacobs charms us from a wheelchair as Nessarose, until that unfortunate incident with a falling house. James Lynn Abbott's best moment of choreography comes not from any of the numerous, raucous ensemble pieces, but from a beautifully rendered bit of quiet ballet that arrives unexpectedly during the energetic "Dancing Through Life." And Stephen Schwartz's classic score provides a wonderful playground for the cast to swing upon, while reminding us of this composer's important history. Close your eyes and hear strains of Pippin in "As Long as You're Mine." Find the hint of Godspell playfulness in the staccato beats of "What is this Feeling."The Wikipedia plot summary for Wicked is over 2100 words long, which speaks not only to the show's dedicated fan base, but to the fact that this is a musical with a lot going on. It's a romantic comedy with strong political undertones, an animal rights treatise with a talking goat and flying monkeys, a parable on the pitfalls of getting what you want, a warning on the limits of friendship, and an homage to a classic film. In the realm of mythology, green-hued creatures have never had a simple time of it (see Shrek, Hulk, et al.), and rare is the story, let alone the musical, that is centered on two women who are unrelated, yet have a complex emotional attachment, while still remaining starkly unique individuals. But Eugene Lee's epic scenic design provides the framework to tie everything together. The show is completely set within the machinations of a huge clock, the Clock of the Time Dragon to be precise. And whether or not you are up on your Oz lore, this seems, at first, incongruous with the magical proceedings on stage. Why is Glinda's bubble-mobile so pendulum like? But then the metaphor becomes clearer. "I would do anything to turn back the clock," laments Elphaba, and later she demands, "Wait just a clock tick!" Once a spell is cast, it cannot be undone. Life moves forward, and Wicked reveals itself to be, more than anything else, a cautionary tale about learning to live with one's choices.(Photo by Joan Marcus)<hr />"'Wicked' does not, alas, speak hopefully for the future of the Broadway musical." Ben Brantley for New York Times"It's such a 'Wicked' waste of talent." Howard Kissel for New York Daily News"The most complete, and completely satisfying, new musical I've come across in a long time." Elysa Gardner for USA Today"Overproduced, overblown, confusingly dark and laboriously ambitious jumble." Linda Winer for Newsday"Far too arch and sophisticated for children...lacks... sophistication and wit that would make it palatable for adults." Frank Scheck for Hollywood Reporter"The best thing about 'Wicked' is its stars, whose talents cast a powerful spell." Roma Torre for NY1"Lavish, ambitious and problematic." Michael Kuchwara for Associated Press<a href="http://www.nytimes.com/2003/10/31/arts/theater/31WICK.html" target="Top">New York Times</a> - <a href="http://www.usatoday.com/life/theater/2003-10-30-wicked_x.htm" target="Top">USA Today</a> - <a href="http://www.ny1.com/ny/Living/SubTopic/index.html?topicintid=4&amp;subtopicintid=14&amp;contentintid=34381" target="Top">NY1</a>

'Wicked' review

The Gershwin Theatre is a breathtakingly stunning Broadway theater located in the heart of New York City. Named in honor of renowned composer George Gershwin and his brother lyricist Ira Gershwin, it was opened in 1972 and currently remains the largest Broadway theater with a capacity of around 1933 seats. Designed by set designer Ralph Alswang, the architectural aesthetics of the theater are a delightful blend of Art Nouveau and Art Deco styles. Over the years, it has hosted some of the most iconic and award-winning Broadway shows including 'Show Boat', 'Sweeney Todd', and its longest running show, the 'Wicked' that has been playing since 2003. The interior is beautifully adorned with ornate details and offers modern technological features promising a remarkable theatrical experience. In addition to its captivating beauty and grandeur, the theater is also known for exceptional acoustics which enhances the enjoyment of each performance. 

**How to get to the venue**

The Gershwin Theatre is readily accessible by public transport with the closest subway stations being 50th Street on the 1 line and 50th Street on the C and E lines. Several bus lines also serve the area. If you prefer to drive, there are multiple paid parking lots in proximity to the theater. It is situated at 222 W. 51st St., perfectly positioned between Broadway and 8th Ave.

Gershwin Theatre - NY

Gershwin Theatre

The Gershwin Theatre, the largest Broadway venue, in New York City is known for its stunning aesthetics, exceptional acoustics, and iconic performances.

Off Broadway Covid Protocol Update as of 2/1 - Fully vaccinated

The Bedwetter - NYC

The Bedwetter

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Sarah Silverman's pungently irreverent and profane brand of comedy makes the leap into musical theatre with her funny but uneven new show, <a href="https://www.newyorktheatreguide.com/show/the-bedwetter" target="_blank">The Bedwetter</a>.If a fifth grader belting about pee and impersonating Oscar winner Sally Field cutting the cheese makes you LOL, then you may really, really like this <a href="https://www.newyorktheatreguide.com/theatres/linda-gross-theater" target="_blank">Atlantic Theater Company</a> production. There's more bathroom humor on tap — considering the title, of course there is.&nbsp;Drawn from Silverman's 2010 memoir, the taboo-toppling star is all over the stage adaptation. She co-authored the book with playwright Joshua Harmon (Bad Jews, <a href="https://www.newyorktheatreguide.com/show/prayer-for-the-french-republic" target="_blank">Prayer for the French Republic</a>) and co-wrote lyrics with the late composer Adam Schlesinger (Cry-Baby, Crazy Ex-Girlfriend). <a href="https://www.newyorktheatreguide.com/show/the-bands-visit" target="_blank">The Band's Visit</a> Tony winner David Yazbek is credited as a creative consultant.The two-hour two-act follows 10-year-old Sarah as she struggles to navigate the choppy waters of childhood in Bedford, New Hampshire. Every kid faces challenges. But because she wets the bed and her parents just divorced, plus more heavy family burdens, her hurdles are even higher.Sarah (Zoe Glick) copes by spewing inappropriate and potty-mouthed humor which she's too young to really understand. She jokes about men's bodies and oral sex, being "too Jew-y too ignore," and even her baby brother who died in a freak accident. She's a lot.&nbsp;The first half is essentially "Meet the Silvermans," whose various issues unfurl. Mom Beth Ann (Caissie Levy) is a depressed near-zombie who watches TV all day from bed. Dad Donald (Darren Goldstein), an ex-bedwetter, runs a discount clothing store when he's not bedding every woman in town. Nana (Bebe Neuwirth) chain-sips Manhattans. Big sister Laura (Emily Zimmerman) wants Sarah to disappear.Also in the mix: Sarah's steely teacher (Ellyn Marie Marsh) and snotty schoolmates (Charlotte Elizabeth Curtis, Charlotte MacLeod, and Margot Weintraub), a <a href="https://www.newyorktheatreguide.com/show/mean-girls" target="_blank">Mean Girls</a>-y trio that Sarah eventually wins over. Tip: Don't underestimate fart jokes as diplomacy. But everything fizzles when Sarah's soggy secret is discovered.The tone turns darker in the shaky second act. Sarah sees quacks (Rick Crom) ready to prescribe pills whose own grips on reality are tenuous. Cue life-size dancing Xanax tablets in a cheesy fever dream choreographed by Byron Easley. Sarah's unlikely ally is Miss New Hampshire (Ashley Blanchet), who pops in to lend support. (She and the Diana Ross character in <a href="https://www.newyorktheatreguide.com/show/trevor-the-musical" target="_blank">Trevor</a> feel like kindred spirits.)Balancing and blending the show's silly and serious split personality is a tricky assignment that exceeds the creative team and director Anne Kauffman's grasp. The feel-good — well, feel-better — resolution comes off as abrupt and incomplete.&nbsp;Along the way there are laughs. Songs are chipper and spiky, as expected since comedic numbers are among Schlesinger's specialties. But there's a nagging sameness to the score, and it starts to sound like musical wallpaper. Beth Ann's two big sobering songs stand apart. They're part of a growing musical theatre subgenre: troubled mom songs. <a href="https://www.newyorktheatreguide.com/show/dear-evan-hansen" target="_blank">Dear Evan Hansen</a> and <a href="https://www.newyorktheatreguide.com/show/jagged-little-pill" target="_blank">Jagged Little Pill</a> are recent shows that also have them.Design-wise, the show checks boxes efficiently enough. Laura Jellinek's panels and partitions shift to reveal various locales. Kaye Voyce's costumes range from street clothes to pageant-wear. Japhy Weideman's lighting helps set the mood.Levy, fresh from a mom role in <a href="https://www.newyorktheatreguide.com/show/caroline-or-change" target="_blank">Caroline, or Change</a>, impressively squeezes her solos for every drop of feeling. Neuwirth's performance, like Nana's suit, is beige, but she has one great moment that helps compensate. As Sarah, Glick shoulders the show with a gutsy star turn.The Bedwetter ultimately delivers a message about the powers of streaming your truth. The show is flawed but fun, and it feels at home off Broadway.<a href="https://www.newyorktheatreguide.com/show/the-bedwetter" target="_blank">The Bedwetter is at the Linda Gross Theater to July 3.</a>Photo credit: Bebe Neuwirth and Zoe Glick in The Bedwetter. (Photo by Ahron R. Foster)

'The Bedwetter' review — Sarah Silverman's memoir becomes a darkly comedic musical

The Bedwetter is at the Linda Gross Theater to July 3.

The Bedwetter Review | New York Theatre Guide

The Atlantic Theater Company - Linda Gross Theater is a one of New York's illustrious off-Broadway theaters, that dissects the art form of theater, producing exceptional works by contemporary American and international playwrights. Located in Chelsea, Manhattan it's a contemporary and cozy theater with seating capacity for nearly 200 attendees. It's a part of Atlantic Theater Company, an award-winning troupe that fosters a rich collaboration in the professionalism and creativity of its artists. The Linda Gross Theater ensures to provide audiences with a homely comfort, illustrious history, and a local feel that sets it apart from many of its counterparts.

**How to Get There:** The venue is easily accessible by subway, very close to the 18th Street Station that is serviced by 1 and 2 trains. Also nearby to many public bus routes that serve the area, providing another convenient means of transport. Alternatively, it is also reachable by car or taxi with metered parking available close to the venue. For more info you can check the Theater's online resources about travel routes and nearby parking facilities.

Atlantic Theater Company - Linda Gross Theater - NY

Atlantic Theater Company - Linda Gross Theater

The Linda Gross Theater of Atlantic Theater Company in Chelsea, Manhattan attracts with its contemporary off-Broadway productions and easy accessibility.

vosk 200

Durrell “Tank” Babbs makes his Broadway debut as Davis in [*Hell's Kitchen*](https://www.newyorktheatreguide.com/show/37579-hells-kitchen-broadway) at the [Shubert Theatre](https://www.newyorktheatreguide.com/venues/shubert-theatre).

Tank is a multi-Grammy nominated singer, songwriter, producer, and actor. His 25-year career as a musician includes eight #1 singles, such as “Can’t Let It Show,” “I Deserve,” “Slow,” “See Through Love,” “Before We Get Started,” and “When We.” 

He has worked as a songwriter and/or producer for artists like Beyoncé, Chris Brown, Aaliyah, Fantasia, Jamie Foxx, and Jennifer Hudson. His acting credits include Lifetime’s *Seven Deadly Sins: Lust*, HBO’s *Togetherness*, VH-1’s *Hit The Floor*, and BET’s *The New Edition Story* and *The Bobby Brown Story*.

Tank - NY

tank 300

Phillip Johnson Richardson stars as Knuck in [*Hell's Kitchen*](https://www.newyorktheatreguide.com/show/37579-hells-kitchen-broadway) on Broadway at the [Shubert Theatre](https://www.newyorktheatreguide.com/theatres/shubert-theatre).

Richardson made his Broadway debut as the Tin Man in the 2024 revival of *The Wiz* before going on to star in *Hell's Kitchen*. On screen, he appeared in the film *Sharper* opposite Julianne Moore, Sebastian Stan, and John Lithgow, and has made guest appearances on shows including *Chicago P.D., The Last O.G.*, and *The Other Two*.

Phillip Johnson Richardson - NY

Ages 8+. Children under 4 are not permitted in the theater.

The Wiz on Broadway - NYC [27115]

The Wiz on Broadway

The Wiz on Broadway - NYC Product Media 

The Marquis Theatre is a Broadway theatre located at 1535 Broadway in the heart of New York. With an impressive seating capacity of 1615, it is one of the largest Broadway theatres in terms of seating. Famous for its impressive architectural design and modern interior, the Marquis offers three levels of seating, ensuring a perfect view of the stage from any spot. Since its opening in 1986, the theatre has been host to a multitude of Broadway hits and musical productions including *Evita*, *Annie Get Your Gun*, and *Follies*. The stage has seen numerous performances from award-winning actors and actresses, making it a significant cultural landmark in New York City.

**How to Get There**
The Marquis Theatre is conveniently located within walking distance from Times Square. Visitors can get there by subway, taking the 1, 2, or 3 train to 42nd Street/Times Square, and then walk towards 1535 Broadway. For those driving, there are parking garages nearby along 45th Street. The central location of this theatre makes it easily accessible from all parts of New York City.

Marquis Theatre - NY

Marquis Theatre

The Marquis Theatre is a prominent Broadway theatre with seating for 1615, located at 1535 Broadway in New York City.

philip

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Designed by Henry Beaumont Herts, The Shubert Theatre was built at the same time as the adjoining [Booth Theatre](https://www.newyorktheatreguide.com/theatres/booth-theatre). The Shubert Theatre officially opened on October 21, 1913 with *Caesar and Cleopatra* by George Bernard Shaw.

The theatre was named after Sam S. Shubert, one of the founding brothers of the Shubert Organization, which operates 17 Broadway venues. The Shubert Theatre building still houses the organization's offices on the top floor. The Shubert Theatre is a designated New York City landmark.

## How to get to the Shubert Theatre on Broadway

The Shubert Theatre is closest to the 42nd Street subway stop on the A, C, E, 1, 2, 3, 7, N, Q, R, W, and S lines. The closest bus stops are 8th Ave/W 46th St. on the M20 and M104 lines; 7th Ave/W. 44th St. on the M104 line; and 8th Ave/W 43rd St. on the M20, M104, and M34A-SBS line.


Shubert Theatre - New York Theatre Guide

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Discover the charm of the Shubert Theatre, now showcasing Alicia Keys’ Hell’s Kitchen. Get your tickets today for an unforgettable night of Broadway excitement.

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Kecia Lewis

Jessica Vosk

Tank

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